(Poem #199)Romantic Moment After seeing the documentary we walk down Canyon Road, Into the plaza of art galleries and high end clothing stores Where the mock orange is fragrant in the summer light And the smooth adobe walls glow fleshlike in the dark. It is just our second date, and we sit down on a bench, Holding hands, not looking at each other, And if I were a bull penguin right now I would lean over And vomit softly into the mouth of my beloved And if I were a peacock I’d flex my gluteal muscles to Erect and spread the quills of my cinemax tail. If she were a female walkingstick bug she might Insert her hypodermic probiscus directly into my neck And inject me with a rich hormonal sedative Before attaching her egg sac to my thoracic undercarriage, And if I were a young chimpanzee I would break off a nearby treelimb And smash all the windows in the plaza jewelry stores. And if she was a Brazilian leopardfrog she would wrap her impressive Tongue three times around my right thigh and Pummel me softly against the surface of our pond And I would know her feelings were sincere. Instead we sit awhile in silence, until She remarks that in the relative context of tortoises and igunanas, Human males seem to be actually rather expressive And I say that female crocodiles really don’t receive Enough credit for their gentleness, Then she suggests that it is time for us to go To get some ice cream cones and eat them. |
Showing posts with label Poet: Tony Hoagland. Show all posts
Showing posts with label Poet: Tony Hoagland. Show all posts
Romantic Moment -- Tony Hoagland
Self-Improvement -- Tony Hoagland
(Poem #149)Self-Improvement Just before she flew off like a swan to her wealthy parents' summer home, Bruce's college girlfriend asked him to improve his expertise at oral sex, and offered him some technical advice: Use nothing but his tonguetip to flick the light switch in his room on and off a hundred times a day until he grew fluent at the nuances of force and latitude. Imagine him at practice every evening, more inspired than he ever was at algebra, beads of sweat sprouting on his brow, thinking, thirty-seven, thirty-eight, seeing, in the tunnel vision of his mind's eye, the quadratic equation of her climax yield to the logic of his simple math. Maybe he unscrewed the bulb from his apartment ceiling so that passersby would not believe a giant firefly was pulsing its electric abdomen in 13 B. Maybe, as he stood two inches from the wall, in darkness, fogging the old plaster with his breath, he visualized the future as a mansion standing on the shore that he was rowing to with his tongue's exhausted oar. Of course, the girlfriend dumped him: met someone, après-ski, who, using nothing but his nose could identify the vintage of a Cabernet. Sometimes we are asked to get good at something we have no talent for, or we excel at something we will never have the opportunity to prove. Often we ask ourselves to make absolute sense out of what just happens, and in this way, what we are practicing is suffering, which everybody practices, but strangely few of us grow graceful in. The climaxes of suffering are complex, costly, beautiful, but secret. Bruce never played the light switch again. So the avenues we walk down, full of bodies wearing faces, are full of hidden talent: enough to make pianos moan, sidewalks split, streetlights deliriously flicker. |