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Showing posts with label Poet: Tony Hoagland. Show all posts
Showing posts with label Poet: Tony Hoagland. Show all posts

Romantic Moment -- Tony Hoagland

(Poem #199)Romantic Moment
 After seeing the documentary we walk down Canyon Road,
 Into the plaza of art galleries and high end clothing stores

 Where the mock orange is fragrant in the summer light
 And the smooth adobe walls glow fleshlike in the dark.

 It is just our second date, and we sit down on a bench,
 Holding hands, not looking at each other,

 And if I were a bull penguin right now I would lean over
 And vomit softly into the mouth of my beloved

 And if I were a peacock I’d flex my gluteal muscles to
 Erect and spread the quills of my cinemax tail.

 If she were a female walkingstick bug she might
 Insert her hypodermic probiscus directly into my neck

 And inject me with a rich hormonal sedative
 Before attaching her egg sac to my thoracic undercarriage,

 And if I were a young chimpanzee I would break off a nearby treelimb
 And smash all the windows in the plaza jewelry stores.

 And if she was a Brazilian leopardfrog she would wrap her impressive
 Tongue three times around my right thigh and

 Pummel me softly against the surface of our pond
 And I would know her feelings were sincere.

 Instead we sit awhile in silence, until
 She remarks that in the relative context of tortoises and igunanas,

 Human males seem to be actually rather expressive
 And I say that female crocodiles really don’t receive

 Enough credit for their gentleness,
 Then she suggests that it is time for us to go

 To get some ice cream cones and eat them.
-- Tony Hoagland

Self-Improvement -- Tony Hoagland

(Poem #149)Self-Improvement
 Just before she flew off like a swan
 to her wealthy parents' summer home,
 Bruce's college girlfriend asked him
 to improve his expertise at oral sex,
 and offered him some technical advice:

 Use nothing but his tonguetip
 to flick the light switch in his room
 on and off a hundred times a day
 until he grew fluent at the nuances
 of force and latitude.

 Imagine him at practice every evening,
 more inspired than he ever was at algebra,
 beads of sweat sprouting on his brow,
 thinking, thirty-seven, thirty-eight,
 seeing, in the tunnel vision of his mind's eye,
 the quadratic equation of her climax
 yield to the logic
 of his simple math.

 Maybe he unscrewed
 the bulb from his apartment ceiling
 so that passersby would not believe
 a giant firefly was pulsing
 its electric abdomen in 13 B.

 Maybe, as he stood
 two inches from the wall,
 in darkness, fogging the old plaster
 with his breath, he visualized the future
 as a mansion standing on the shore
 that he was rowing to
 with his tongue's exhausted oar.

 Of course, the girlfriend dumped him:
 met someone, après-ski, who,
 using nothing but his nose
 could identify the vintage of a Cabernet.

 Sometimes we are asked
 to get good at something we have
 no talent for,
 or we excel at something we will never
 have the opportunity to prove.

 Often we ask ourselves
 to make absolute sense
 out of what just happens,
 and in this way, what we are practicing

 is suffering,
 which everybody practices,
 but strangely few of us
 grow graceful in.

 The climaxes of suffering are complex,
 costly, beautiful, but secret.
 Bruce never played the light switch again.

 So the avenues we walk down,
 full of bodies wearing faces,
 are full of hidden talent:
 enough to make pianos moan,
 sidewalks split,
 streetlights deliriously flicker.
-- Tony Hoagland